The recent Native American, Pre-Columbian, Tribal & Fine Art Auction by By Taos Company featured two vintage paddles:

The recent Native American, Pre-Columbian, Tribal & Fine Art Auction by By Taos Company featured two vintage paddles:

The upcoming Native American, Tribal, Ancient & Asian Art Auction from TAOS Auction Co (Santa Fe, New Mexico), features a 19th century Penobscot paddle with classic stepped grip pattern.

Most interesting is that the paddle blade Page Brand stamps along with a Canadian customs sticker and matching tag documenting its shipment across the border. Unfortunately a worn watermark smudged the year section on the customs tag but the paddle is assumed to not predate 1916 when the Raquette Lake Boys Club was founded. Addressed to Master Gordon Schwartz with his name appearing on both the sticker and the tag, this object offers a rare, almost whimsical glimpse into how fine paddles were casually shipped a century ago.

There is an early set of Canadian Canoe Company paddles on display at the Rondeau Provincial Park visitor centre. They were given as a retirement gift to George Bartlett, superintendent of Algonquin Provincial Park, as a retirement gift in 1922, so these predate the merger of Canadian with the Chestnut & Peterborough companies and would be considered historically significant.
More info about the paddles can be read on this Ontario Parks blog post HERE

Some of the paddles in the private collection of Tom Penniston have been featured on the site. Tom was fortunate to recently acquire another spectacular pieces that was recently up for auction at Waddington's in December of 2024.
While not attributed to any specific carver, the paddle's style is reflective of an older form of Maliseet/Wabanaki paddle with the tear-drop blade and pointed tip. A similar paddle shape is seen in an circa 1886 illustration featuring a similar flattened handle and large carved drip ring being paddled by tourists renting out bark canoes from this post here.
One side of the grip face is etched with the former owners name, "W. Chestnut". This would be William T. Chestnut (1867 - 1935) of Chestnut Canoe Co fame. Long before the establishment of the canoe company in 1904, William was an avid outdoorsman and hunter while working in the family business, R. Chestnut & Sons, Hardware Merchants. Surviving documentation and photos showcase his love for outdoor pursuits, including this circa 1887 photograph featuring men of a sporting club in Fredericton, New Brunswick paddling bark canoes near their summer camp, Camp Comfort. William Chestnut on the far left with the white sleeves.
The resolution and angle prevent seeing any details of his paddle, but it is not a stretch to think that in the 1880's these white patrons were commissioning birchbark canoes and accompanying paddles for their use from local Maliseet craftsmen. St. Mary's First Nation was located was directly across the river from Fredericton. Perhaps that it is the origin of William's which was customized with his name and an etching of nesting birds on the blade.

Here are four paddles in the collections of the Maine Maritime Museum. They have been grouped together because of their Penobscot / Wabanaki influences.
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Some of the paddles in the private collection of Tom Penniston have been featured on the site. Tom was fortunate to recently acquire another spectacular pieces and has graciously allowed posting pics and details. This one has etched decoration on both sides of the handle but ink/dye drawings on one side of the blade. Dr. Roger J. Lewis, Curator of Mi’kmaq Cultural Heritage at the Nova Scotia Museum, has confirmed the paddle's origins as "definitely Mi’kmaq".

Lot 15 is another Wolastoqiyik (Maliseet) paddle of a different form and dimension.

Bonham's Auctions is featuring a circa 1860 paddle in their upcoming NATIVE AMERICAN & TRIBAL ART auction, set for 8 November 2023. LOT 84 features "A Northeastern Woodlands canoe paddle" which might be familiar to readers of this blog.
The uniquely carved stepped grip of this paddle features some floral incised decorative elements.
This paddle was originally illustrated in an exhibition catalog from 1982, Pleasing the Spirits. A Catalogue of a collection of American Indian Art by Douglas C. Ewing, Page 385, plate 474. It was up for auction back in 2009 where it fetched a realized price $2500 after being valued at $700. It seems to have been up for auction again in 2017. I made a replica from maple back in 2020 and it has become one of my favourites for relaxed solo paddling. Hopefully this treasure will go to a good home where it will be valued for the historic piece that it is.
Nov 10 2023 Update: Paddle sold for $3200 US (including buyer's premium)

Montreal's McCord-Stewart Museum collection includes a decorated model paddle with a painted blade. Although the maker in unknown, the paddle was collected from Moose Factory, James Bay


The McCord Museum has updated their online gallery to include a variety of Haudensaunee paddles. Two are from the Lac Tremblant region of Quebec with a decorated paddle blade fragment sourced to the Six Nations Reserve in Southwestern Ontario.

A curiously carved canoe paddle is currently featured on LiveAuctioneers. The 58-1/2" paddle features an elaborate grip carved with a roll-top grip with scrolled and curved patterns on the palm rest. Also curious is a carved section in the middle of the shaft where deep notches and cross hatch pattern has been worked into the wood.

Another paddle showcased by Cisco's Gallery advertised as a "Native Carved Canoe Paddle". It features the classic Penobscot stepped grip motif and is identified as carved from Birch.

The Collection ethnographique of the Université de Montreal houses some Atikamekw artefacts which form the basis of an indigenous watercraft display.
The birchbark canoe canoe was made by Albert Biroté (1899-1977), an Atikamekw master craftsman from Wemotaci (Haute-Mauricie) in 1974. It was commissioned at the request of Norman Clermont, archaeologist from the anthropology department of the University of Montreal, as part of his investigation into the history of Wemotaci and the material culture of its inhabitants.
Clermont's research was eventually published as a book entitled, La culture matérielle des indiens de Weymontachie. I was able to find a rare copy of this book housed at the Royal Ontario Museum's library. The publication contains a grainy image of the set of paddles also carved by Albert Biroté to accompany the canoe (see original post here).
A second sketch appears in the book providing a closeup of the decorative element...
New colour photos from the university reveal some more details of the paddle set, including closeup views of the deeply etched leaf patterns on the decorated handle. Curiously, this longer paddle of the two has been labelled as an "Aviron de Femme", a "Woman's paddle". Most other samples of gender specific paddles labelled by other museums and documentation (like Adney's description of Male / Female Cree paddles) had noted the shorter length of paddles typically utilised by women.
The second paddle, plainly carved in birch features a much smaller bulb grip and is a few centimetres shorter.
