Sunday, December 22, 2019

Mid-19th century Penobscot paddle (Poplar)

Archived on Worthpoint.com is an interesting paddle originally from Cowan's  American Indian and Western Art: Live Salesroom Auction (4/8/2017). What makes this one different from other 19th century Penobscot designs is the claim it is made of Poplar (Liriodendron tulipifera). While utilised today to make inexpensive paddles and oars, it was not a common wood in the Northeastern paddle making tradition as evident by lack of documentation and surviving paddles made from this wood. Poplar is also a relatively weak wood compared to more commonly used ash and maple, yet this huge 75" paddle has a hefty 7.5" wide blade. To survive the stain of use, the shaft would benefit from being much thicker.

Penobscot Wood Paddle (mid-19th century)
poplar; length 75 in.
The beveled, triangular grip gracefully transitions to a round shaft and teardrop-shaped blade; surface with warm patina 

Grip Closeup



Tuesday, December 3, 2019

Odanak Abenaki Postcard Paddle

Found two postcards online featuring a Abenaki style paddle. Both feature the same unknown person listed as being taken at Odanak, Québec, and published by the Peco Ottawa Photogelatine Engraving, Co between 1930-1940.






Saturday, November 16, 2019

Royal Trust circa 1860 Mi'kmaq Paddle Reproduction

The British Royal Family has recently consolidated all of their acquired artworks and historic gifts into a new collection called the Royal Collection Trust. Included in this monumental global collection of artefacts are First Nations items gifted to various royal members during their visits to Canada.

A fascinating set is a Mi'kmaq sourvenir bark canoe that came with two dolls, two pair of paddles, a fishing spear and miniature basket. The set was presented then 18 year old Prince Albert Edward (the future King Edward VII) during his first visit to Canada in the summer of 1860.


Mi'kmaq Model canoe and dolls  1860
RCIN 84332
Royal Collection Trust
© Her Majesty Queen Elizabeth II 2016


The paddle set showcases two similar designs which look like two larger stern paddles and two smaller paddles with pole grips used by the bow paddler. Both feature a pointed spear-like tip


Mi'kmaq model paddles 1860
RCIN 84332
Royal Collection Trust
© Her Majesty Queen Elizabeth II 2016



While the model canoe is obviously not a true replica, being decorated with dyed porcupine quills and lacking an accurate number of ribs, the paddles do match some existing artworks from the era.


Paddle Detail from Wigwams at Pointe de Levy, Lower Canada
ca. 1836
Artist:  Whitmore, George St. Vincent, 1798-1851.
Credit: W.H. Coverdale Collection of Canadiana


I decided to reproduce the larger stern paddles with the flattened grip section adjusting to my preferred paddle length and scaling the grip width down to more realistic dimensions. The spear tipped blade is very quiet in the water compared to wider blade tips creating much less splash during each paddle stroke. As the originals were left un-decorated, I simply burned the paddle details into the face of the blade.










Thursday, November 7, 2019

Antique Oar & Paddle Set

Unfortunately, no details on this set of antique paddles / oars found on a stock photo site...








Friday, November 1, 2019

Musee de Quai Branly Cree Replica

Back in the summer I was working on three more historic replicas. One of the paddles was a reproduction of a pole-grip, Cree paddle dated to circa 1930-1935. The original with a black painted blade is in the Musee de Quai Branly in Paris, France.

Pagaie
Géographie :  Amérique –  Amérique du Nord –  Canada
Culture :  Amérique –  Cree
Date :  1930-1935
Dimensions et poids :  158.5cm  x 12.5cm, 647 g
Donateur :  Paul Coze
Précédente collection :  Musée de l'Homme (Amérique)
Numéro d'inventaire :  71.1931.44.155


My version was made from a nearly flawless piece of spruce, hewn down with an axe and finished with a crooked knife. It turned out ok except for a cumbersome knot at the top of the pole grip which created a slight bulge in an otherwise straight shaft. Since coming back in the city, the blade has been painted to match the original. In a bit of new twist, I left a portion of the blade fast natural where the paddle details were burned.






The plan is to include this interesting design in a future display of more historic paddle designs, similar to the one made in 2018 for the WCHA Assembly






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