Showing posts sorted by relevance for query peabody essex. Sort by date Show all posts
Showing posts sorted by relevance for query peabody essex. Sort by date Show all posts

Saturday, October 10, 2009

NMAI Decorated Algonquin Paddle

A decorated Algonquin paddle from the National Museum of the American Indian. First time I've seen this decoration pattern and no idea about its significance but if the date of this paddle is correct (1780-1820) it shows that the flat extended grip has been in use for many centuries. This corroborates the circa 1770s Cree Paddle design I posted on before. Unfortunately there are no dimensions provided, but from the general shape of it, it would seem to make a beautiful solo paddle.



Date created: 1780-1820
Place: Eastern Canada
Collection history unknown; formerly in the collection of the Peabody Museum of Salem (now the Peabody Essex Museum); acquired by MAI via an exchange with the Peabody Museum in 1963.
Catalog number:23/2290



Thursday, September 1, 2011

PEM Artscape Paddle

Here's a decorative Anishinabe souvenir paddle now part of the Peabody Essex Museum. It features a two toned painted blade with some etchings on the shoulder and neck area...





Chippewa-Ojibwa (Anishinabe)Paddle
44.5 inches
c.1823-25 (painted wood)
Paddles were among the souvenir items produced by Anishinabe artists in the early 19th century. This paddle's small handle and painted decoration indicate it was made for the souvenir trade. The carved curvilinear designs, occurring on objects from the Great Lakes region and the eastern Plains, are sometimes interpreted as a feather motif.



Wednesday, October 21, 2020

PEM Model Anishinaabe Canoe with Painted Paddles

The Peabody Essex Museum has a model canoe made by an unknown Anishinaabe (Chippewa/Ojibwa) artist. The model and its accompanying figurines and paddles date to 1823-1825 once again featuring the dominant colours of red and black. One paddle features a black blade with the red shaft. The other features a red blade and black paint at the end of the pole-shaped grip.

Anishinaabe (Chippewa/Ojibwa) artist
Model canoe, 1823-1825
Birchbark, wood, paint, pitch
Great Lakes, North America
L: 22 3/4 in, W: 6 in, D: 5 7/8 in (L: 57.8 cm, W: 15.2 cm)
Gift of Colonel Enos Cutler, 1850, 1850
E3760
SPECIAL COLLECTION
East India Marine Society Collection

DESCRIPTION
This is a birch bark model canoe with red wooden thwarts and gunwales. There is a painted black band beneath the gunwales, and it has pitched and painted seams. On either side of the bow is a red painted design with a black oculus. Two carved and painted figures holding paddles sit inside.



Thursday, February 21, 2013

Closeup PEM Decorated Paddle

Found another b&w image of the decorated Chippewa-Ojibwa (Anishinabe) souvenir paddle in Peabody Essex Museum collection. A full colour version can be seen in this earlier post. It has been dated to c.1823-25 and features a painted blade with some decorative etchings of floral motifs in the upper portion.

Chippewa-Ojibwa (Anishinabe)Paddle
44.5 inches
c.1823-25 (painted wood)



Friday, November 25, 2016

Book Review - Canoes: A Natural History in North America

I was fortunate to receive a review copy of a highly anticipated book set for release in November 2016.  Canoes: A Natural History in North America by Mark Neuzil and Norman Sims is a richly illustrated hardcover containing a whopping 416 pages of content to satisfy the interest of canoe lovers everywhere.


Canoes
A Natural History in North America

Mark Neuzil and Norman Sims
Foreword by John McPhee
$39.95 cloth/jacket ISBN 978-0-8166-8117-4
416 pages, 95 b&w plates, 228 color plates, 10 x 8, November 2016


The style of the book takes one on a formal history lesson of the canoe in the Americas. Beginning with the story of various dugout forms, the book continues with the evolution of the birchbark and the subsequent transition to all wood canoes of the late 1800s. The natural progression to wood canvas canoes sets the stage for the era of aluminum craft and today's modern marvels engineered with industrial chemical synthetics. At each stage, one begins to realize that the basic form of the canoe has remained timeless but generational "improvements" in materials have been the defining feature of the craft.

Hardcore canoeists often view the world in paddling metaphors. Reading through each chapter felt like an adventurous backcountry journey, sometime through familiar territory, but with pleasant surprises along the way. The over 300 illustrative plates (some never before published) offered plenty of visual diversions, not unlike the excitement of spotting elusive wildlife on a trip. Historical maps, classic artworks and rare photographs had this reader frequently pausing  to take in the visual feast. Interspersed amongst the general text are short 2-3 page essays on various satellite topics such as "Canoe Sails", "Canoe Patents", "Canoes in Wartime" . These breaks felt like literary portages, a chance to get off the main route a bit and stretch your legs on the trail.

Published by the University of Minnesota Press, the book does have the obvious feel of being heavily American influenced to this Canadian observer. Of course, we Canadians have often arrogantly hijacked the canoe as our own national symbol but the book does the craft justice in representing the canoe as having a truly North American story.

Of particular interest to this reader was the writeup on the world's oldest known bark canoe, now at the Canadian Canoe Museum. Previous posts on the topic have been featured on the site here and here. The most detailed description of this vessel was written by  legendary bark canoe builder, Henri Vaillancourt and appeared in Wooden Boat Magazine (Sept/Oct 2011 - Issue 222 - Page 72). A bit of a shame that more detailed photographs of this historic craft were not included in the brief excerpt of the book.  

As a bit of consolation however, a beautiful colour photo of another aged birchbark canoe (rarely available for public view) has been reproduced in its full glory. The famed "1826 Penobscot Canoe" in the collection of The Peabody Essex Museum, Massachusetts was the subject of a restoration and construction analysis in 1947. The resulting article published in  The American Neptune (Vol VIII, No. 4, 1948) has been graciously reprinted with permission online by the WCHA. It was a real treat to see this elegant craft in full colour after being exposed to only grainy black and white photos from the past. 

When I first read the table of contents on the book's press release page, I was ecstatic that Chapter 7: Canoes and the Human-Powered Movement contained a subtitle for "Paddles". Working under the assumption that a detailed discussion of paddle forms with perhaps photos of historically significant paddles would be on display, the teasingly short, 2 page write-up contained few photos or satisfactory information on this rich topic. Granted, the focus of the book is obviously the watercraft, but just as canoes have evolved over the centuries, the paddles that have propelled them have as well. To this obviously biased paddlemaker, it was akin to seeing a bunch of meticulously restored vintage cars without their engines on display.  

These very minor short-comings aside, this new publication adds fresh perspectives and novel content to the topic. Given that paddling season is now over for most of us in North America, the timely release of the book will allow us to go on a very satisfying literary expedition over the winter. No matter what era of the canoe story you might have a special spot for, this book will certainly take a cherished place in your library collection.


About the authors:
• Mark Neuzil is professor of communication and journalism at the University of St. Thomas in St. Paul, Minnesota. He is the author, coauthor, or editor of seven books and a frequent writer and speaker on environmental themes. A former wilderness guide and summer park ranger, Neuzil is an avid outdoorsman who began canoeing in the 1960s with his family. He is a past board member of the Society of Environmental Journalists and Friends of the Mississippi River.

 • Norman Sims is a retired honors professor from the University of Massachusetts Amherst and a past president of the International Association for Literary Journalism Studies. This is his sixth book. A longtime whitewater canoeist and an active member of both the Appalachian Mountain Club and the Wooden Canoe Heritage Association, Sims has a small collection of antique Morris wood-and-canvas canoes. 

• John McPhee is the author of more than thirty books, including Encounters with the Archdruid (1971), The Survival of the Bark Canoe (1975), and Coming into the Country (1977). Since 1963, his articles and all of his books have appeared in The New Yorker magazine. He received the Award in Literature from the American Academy of Arts and Letters in 1977, and was awarded the Pulitzer Prize for Annals of the Former World in 1999. He lives in Princeton, New Jersey.



Monday, July 27, 2020

PEM: Model Canoe and paddles (1878)

Another model canoe in the collection of the Peabody Essex Museum is attributed to  Jo Polis, the famed Penobscot who guided Thoreau in 1857 journey in the Maine interior. The model is dated to 1878 and features decorative winter bark etchings and two paddles consistent with the Penobscot carving tradition.

Penobscot Artist
Model canoe, 1878
Wood, birchbark, plant fiber
Maine, Northeastern United States
L: 38 1/2 in, W: 7 5/8 in, D: 6 1/2 in (L: 97.8 cm, W: 19.4 cm, D: 16.5 cm)
Gift of Mr. Edward S. Moseley, 1979
E28528
Work attributed to Joe Polis (also known as Jo Polis)

This birchbark canoe was made for sale in Old Town, Maine in August, 1878, during the height of the summer season, when tourists bought souvenirs such as this en masse. The exterior of the canoe is decorated with lovely scrolling curve and floral motifs, while the bottom depicts a winter scene with a hunter, a moose, and a clumsy snowshoer.
 INSCRIPTION
The inscription on the bottom reads, "Akist 24, 1878, O. T. Me Moose". This can be understood to mean "August 24, 1878, Old Town, Maine, Moose."
 DESCRIPTION
This is a birch bark canoe model with two paddles and one fishing spear. There are five thwarts in the canoe, the center one is decoratively carved. The outer surface of the canoe is ornamented with double curve and floral motif designs etched on the bark. There is an etched narrative scene on the bottom of the canoe depicting two men, wearing snow shoes, hunting a moose. One of the men has comedically fallen over. The artist has etched his name in the bottom with the narrative scene. Likely made by Jo Polis, according to scholar Joan Lester.




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